Davies, R.M. (2021). Coproduction in the Recording Studio: Perspectives from the Vocal Booth. Routledge. DOI: 10.4324/9781003146865

Journal articles

Davies, R. M. (forthcoming 2022) Repetition and performance in the recording studio.

Book chapters

Davies, R. M. (forthcoming 2022). An autoethnography of vocal booth performance. In P. Gousouasis and C. Wiley (Eds.) The Routledge Companion to Autoethnography and Self-Reflexivity in Music Studies. Routledge


Davies, R.M. (2019). That’s perfect, let’s do it again: observing performance in the vocal recording booth. (PhD thesis). Monash University, Australia. DOI:10.26180/5d5a3d5d67d53

Non-traditional research outputs (NTROs)

Davies, R. M. (Author). (2016). Trans-contextualisation of 1970s popular song: Researching identity through cabaret performance. Recorded/ Rendered Performance

Davies, R. M. (Performer). (2014). Rocket Man. Music Performance, Adelaide Cabaret Festival. Research output: Non-textual form › Music Performance › Other

Conference presentations

Davies, R. M. (2019, June 24-28). That’s perfect, let’s do it again: observing performance in the vocal booth [Conference presentation]. XX Biennial International Conference of IASPM, Canberra, ACT, Australia.

Davies, R. M. (2017, June 2-4). Towards a practice-based methodology for the investigation of agency within the vocal booth [Conference presentation]. Australasian Jazz & Improvisation Research Network Conference, Melbourne, Victoria, Australia.